The Autobiography of Gucci Mane by Gucci Mane:In his extraordinary autobiography, the legend takes us to his roots in Alabama, the streets of East Atlanta, the trap house, and the studio where he found his voice as a peerless rapper. He reflects on his inimitable career and in the process confronts his dark past—years behind bars, the murder charge, drug addiction, career highs and lows—the making of a trap god. It is one of the greatest comeback stories in the history of music.
Live at the Safari Club by Shawna Kenney & Rich Dolinger: The uncensored oral history of a notorious underground punk venue in the nation’s capital, told by the bands, fans, zinesters, promoters, graffiti artists, scenesters, senators’ kids and activists who made it happen.
Mute by Daniel Miller & Terry Burrows: Mute is one of the most revered and influential indie labels of all time. Through the music of its tight-knit community of artists―ranging from Cabaret Voltaire, Nick Cave’s The Birthday Party and Moby to Depeche Mode, Erasure, and Goldfrapp―it has had an incalculable impact on popular music for forty years.
Meet Me in the Bathroom by Lizzy Goodman: Joining the ranks of the classics Please Kill Me, Our Band Could Be Your Life, and Can’t Stop Won’t Stop, an intriguing oral history of the post-9/11 decline of the old-guard music industry and rebirth of the New York rock scene, led by a group of iconoclastic rock bands.
Absolutely On Music by Haruki Murakami: In Absolutely on Music, internationally Haruki Murakami sits down with his friend Seiji Ozawa, the revered former conductor of the Boston Symphony Orchestra, for a series of conversations on their shared passion: music. Over the course of two years, Murakami and Ozawa discuss everything from Brahms to Beethoven, from Leonard Bernstein to Glenn Gould, from Bartók to Mahler, and from pop-up orchestras to opera
Sticky Fingers by Joe Hagan: The story of Jann Wenner, Rolling Stone's founder, editor, and publisher, and the pioneering era he helped curate, is told here for the first time in glittering, glorious detail. Joe Hagan provides readers with a backstage pass to storied concert venues and rock-star hotel rooms; he tells never before heard stories about the lives of rock stars and their handlers; he details the daring journalism (Tom Wolfe, Hunter S. Thompson, P.J. O’Rourke) and internecine office politics that accompanied the start-up; he animates the drug and sexual appetites of the era; and he reports on the politics of the last fifty years that were often chronicled in the pages of Rolling Stone magazine.